Senior artist Jyotika Sehgal talks about her art journey and her work including her series on Ghalib and the Jap Ji Prayer by Guru Nanak Ji.

V. Divakar, in conversation with Santanu Borah, speaks about the "exclusive artists" who have hijacked the real art that happens in India.

Sharad Raj discusses mise en scene (the setting and every other element) in cinema and its role in giving the film maker a distinct voice.

Responding to the artamour questionnaire, Vandana Kumari discusses her socio-political art that gives an insight into the human psyche.

John Elliott writes on the Saffronart exhibition on the Last Supper and interviews Krishen Khanna on his focus on the role of Judas.

Award-winning artist Ramchandra Pokale responds to the artamour questionnaire in Hindi. (The English translation is given above each answer)

Muralist, sculptor, mask-maker, children's book author and illustrator Carolyn Watson-Dubisch responds to the artamour questionnaire.

English translation of Jyoti Tyagi's review of "Nest", a group show curated by Prayag Shukla and Tunty Chauhan at Threshold art gallery.

ज्योति त्यागी द्वारा थ्रेसहोल्ड आर्ट गैलरी में प्रयाग शुक्ला और टंटी चौहान द्वारा क्यूरेट की गई एक समूह प्रदर्शनी, "नेस्ट" की समीक्षा

Multifaceted artist and writer Rumana Husain responds to the artamour questionnaire and discusses her dedication to children's creativity .

Aakshat Sinha reviews "What to do with difference", an ongoing group exhibition organized by Art for Change Foundation at IIC, New Delhi.

Aakshat Sinha sheds light on NFT (Non-Fungible Token) with specific focus on the art world and dispels some prevailing myths surrounding it.

Shantala Palat reviews "PRATIBIMB" Stories in Print featuring 13 women artists on display at Gallery 1000A curated by Rajan Shripad Fulari.

Internationally acclaimed Filipino artist Joe Datuin, widely recognized for his metal sculptures, responds to the artamour questionnaire.

Russian artist Victoria Lomasko talks about her practice that explores contemporary Russian and Belarusian society using graphic reportage.

Ranjan Kaul reviews "Erasure", a show of acclaimed artists and interdisciplinary creators curated by Susanta Mandal at Vadehra Art Gallery.

Vandana Kumar writes about the celebrated French actress Isabelle Huppert and her penchant for playing morally ambiguous characters.

Aakshat Sinha reviews the fascinating show Peppery Soliloquies, tracing the art of spices, curated by Georgina Maddox at Art Centrix Space.

Shujaat Mirza reviews the solo show "Unknown Planet" of artist Rohit Zaveri created by treating industrial grade thermocol chemically,

Aakshat Sinha reviews Antrung Raza, an exhibition of the memorablia of the renowned artist, SH Raza, to celebrate his hundredth year.

Shantala Palat writes about the art of the Bhil tribe with their distinctive dotted style and its rich heritage, culture and history.

Ranjan Kaul reviews a show at Vadehra Art Gallery of nine women artists with diverse backgrounds who explore notions of life and identity.

Aakshat Sinha reviews the amazing works of Anjaneyulu G who uses hyper-realism to depict objects of a forgotten era displayed at Art Alive.

Ranjan Kaul reviews the winning entries of the 2020 Stenin Photo Contest which significantly included the works of six Indian photographers.