Renowned Indian artist Santosh K Verma's candid response to the artamour questionnaire in Hindi together with its English translation.

Rekha Bajpe Aggarwal talks about her love affair with ceramic art and her recurring theme of Shakti depicted with use of buttons and masks.

Senior artist Durga Kainthola discusses her art journey and oeuvre across multiple disciplines in the visual arts.

Aakshat Sinha reviews Kanchan Chander's online show featured by Art Heritage that showcases her journey of exploration of the female form.

Johny ML writes about 'Trespassers', a group of 10 graffiti artists who have been doing mural projects in the villages and towns of Kerala.

Shujaat Mriza reviews the annual of exhibition of the School of Fine Arts, MSU, Baroda, that focussed on experimental and process-based art.

Photographer Vipin Baloni focusses on the theme of silence as he responds to the artamour questionnaire.

Ranjan Kaul reflects on the work of Antony Gormley while presenting the insights given by the artist in his webinar talk organized by KNMA.

Ranjan Kaul reflects on the work of Antony Gormley while presenting the insights given by the artist in his webinar talk organized by KNMA.

Senior Indian artist, SK Sahni responds to the artamour questionnaire and reveals his fascination with lines that occupy his canvas space.

Harshil Patel's work exists in a space between tradition and abstraction. His exhibition, Transposing Myths is reviewed by Shujaat Mirza.

Olga Bozhko uses knitting and burnt wood for creating political art with common objects. Here's her response to the artamour questionnaire.

Abhimanyu Kumar dwells upon the problem of art and its reception by the Public.

Shujaat Mirza reviews the the ongoing exhibition “Abstract” by artist Ajay Chaudhury at the Hutheesing Visual Art Centre, Ahmedabad.

Ankon Mitra, the Oritecture artist, responds to the artamour questionnaire and reveals the tales within the folds.

Review of The Life Ahead, 2020 (La vita davanti a sé) starring Sophia Loren, who returns to the silver screen after a decade-long hiatus.

Shantala Palat chooses Warli and Saura from India's folk and tribal art forms for the first part of her series on Folk and Tribal art.

Maria Arendt, well-known Russian artist responds to the artamour questionnaire about her multidisciplinary art, including embroidery as main

P Achari makes case for a more radical form of criticality in art that moves away from affable eulogies and rejects cultural homogenization.

Senior Indian artist Prem Singh responds to the artamour questionnaire

Shujaat Mirza writes on the current Online art space and how Covid has made the online space more relevant today and what lies ahead.

Hemavathy Guha speaks about her art of multiple sensitivities in response to the artamourquestionnaire.

Online show of drawings, prints and mixed media works by Anandamoy Banerji, Dattatreya Apte, Kavita Nayar, Moti Zharotia and Sushanta Guha.

Review by Aakshat Sinha of the visual art exhibition, 'On the threshold of time 8: Unseen' on display at Art Heritage.