Georgina Maddox reviews the upcoming show by Jaya Baheti, where the artist uses captivating forms and figures against abstract backdrops.

Georgina Maddox reviews Pratul Dash's new show that looks philosophically at land and its elements through the prism of personal memory.

Georgina Maddox reviews Sonika Agarwal's solo show "Radiance of Cosmic Consciousness" on display at Artrise Auctions (powered by Dhoomimal).

Ranjan Kaul reviews Olivier Deprez's cine-etched animated film "Après la mort, après la vie" made in collaboration with Adolpho Avril.

Suman Chandra, an artist who finds the materiality, dangers and risks of coal mines an inspiration, responds to the artamour questionnaire.

Elena Rubinova writes from Moscow about a new private museum dedicated to the Soviet nonconformist art movement that opened recently.

Ranjan Kaul reviews the recent exhibition, "Of Divergent Practices", showcasing Indian printmakers, held at Dhoomimal Gallery, New Delhi.

Ranjan Kaul reviews the parallel shows, "Dhalav" by Niroj Satpathy and "The Place called the Body" by Aditya Puthur at Anant Art, Noida.

Anodo discusses his unease with how AI is shaping up, the impact of AI on the future or art, and the related ethicalities and legalities.

Saswati Chaudhuri responds to the artamour questionnaire and talks of her struggles and her style and processes using various media.

artamour brings to you the six young and talented winners of the second edition of the Julius Baer Next Generation Art Prize for Asia 2023.

Dr Sushma Mahajan, a practising radiologist, with a passion to paint in watercolours, responds to the artamour questionnaire.

Ranjan Kaul reviews Jogen Chowdhury's show "Into the Half Light and Shadow Go I" organized by Art Exposure Gallery at Bikaner House, Delhi.

Ranjan Kaul reviews the recently concluded Emmanuel Lenain's photography show, "Invisible Poetry" held at India Habitat Centre, New Delhi.

Satarupa Bhattacharya reviews "One Story is Not Enough", an interdisciplinary show, presented by Engendered and curated by Myna Mukherjee.

Ranjan Kaul reviews Prem Chander's ongoing show, "Subliminal" being held at AIFACS, New Delhi.

Satarupa Bhattacharya reviews Sheetal Gattani's recent show "Minimal Consciousness" and gives an insight into her art practice and process.

Ranjan Kaul reviews the ongoing group exhibition, "Circle of Life" at Art Centrix Space, New Delhi, curated by Alnoor Mitha.

Georgina Maddox exchanges ideas with Megha Joshi on her solo show "Rites of Passage", which brings us to the edge of faith and image-making.

Talented artist Prem Chander (Gatta Artist) responds to the artamour questionnaire and describes his art journey, thinking and process.