Ranjan Kaul reviews Olivier Deprez's cine-etched animated film "Après la mort, après la vie" made in collaboration with Adolpho Avril.

Suman Chandra, an artist who finds the materiality, dangers and risks of coal mines an inspiration, responds to the artamour questionnaire.

Elena Rubinova writes from Moscow about a new private museum dedicated to the Soviet nonconformist art movement that opened recently.

Ranjan Kaul reviews the recent exhibition, "Of Divergent Practices", showcasing Indian printmakers, held at Dhoomimal Gallery, New Delhi.

Ranjan Kaul reviews the parallel shows, "Dhalav" by Niroj Satpathy and "The Place called the Body" by Aditya Puthur at Anant Art, Noida.

Saswati Chaudhuri responds to the artamour questionnaire and talks of her struggles and her style and processes using various media.

artamour brings to you the six young and talented winners of the second edition of the Julius Baer Next Generation Art Prize for Asia 2023.

Dr Sushma Mahajan, a practising radiologist, with a passion to paint in watercolours, responds to the artamour questionnaire.

Ranjan Kaul reviews the recently concluded Emmanuel Lenain's photography show, "Invisible Poetry" held at India Habitat Centre, New Delhi.

Satarupa Bhattacharya reviews "One Story is Not Enough", an interdisciplinary show, presented by Engendered and curated by Myna Mukherjee.

Ranjan Kaul reviews Prem Chander's ongoing show, "Subliminal" being held at AIFACS, New Delhi.

Satarupa Bhattacharya reviews Sheetal Gattani's recent show "Minimal Consciousness" and gives an insight into her art practice and process.

Ranjan Kaul reviews the ongoing group exhibition, "Circle of Life" at Art Centrix Space, New Delhi, curated by Alnoor Mitha.

Georgina Maddox exchanges ideas with Megha Joshi on her solo show "Rites of Passage", which brings us to the edge of faith and image-making.

Talented artist Prem Chander (Gatta Artist) responds to the artamour questionnaire and describes his art journey, thinking and process.

Georgina Maddox reviews the group show by women artists at Meghalayan Age that explores the nuances of birth, motherhood and matriliny.

Georgina Maddox writes about second edition of the International Julius Baer Next Generation Art Prize which is now open to Indian artists.

Georgina Maddox reviews the show, "Journeys of Clay and Fire" at the British Council, New Delhi, that looks at ceramic art in newer ways,

Ranjan Kaul reviews an enthralling exhibition titled "Women and Deities" held in the Bihar Museum on the occasion of its Foundation Day.

Elena Rubinova speaks with Russian philanthropist and collector, Sarah Vinitz, against the backdrop of a new art project by Elena Kovylina.