Murtaza Ali Khan reviews "The Girl with the Needle", a film based on the story of Danish serial killer, Dagmar Overbye, in post-WW1 Denmark.

Ranjan Kaul reviews Olivier Deprez's cine-etched animated film "Après la mort, après la vie" made in collaboration with Adolpho Avril.

Aakshat Sinha reviews the film "Taking the Horse to Eat Jalebi" that depicts the real lives and dreams of the subaltern living in Old Delhi.

Monish K. Das writes about the Soviet film-maker, Sergei Eisenstein, and his curious encounters with Hollywood studios and personalities.

Using the film “The Father” as a referential Shujaat Mirza dwells on how art can intervene creatively and enhance our understanding of life.

Sharad Raj discusses mise en scene (the setting and every other element) in cinema and its role in giving the film maker a distinct voice.

Vandana Kumar writes about the celebrated French actress Isabelle Huppert and her penchant for playing morally ambiguous characters.

Review of The Life Ahead, 2020 (La vita davanti a sé) starring Sophia Loren, who returns to the silver screen after a decade-long hiatus.