Ranjan Kaul reviews the ongoing "The Art of India" exhibition at the India Habitat Centre, New Delhi. The show is curated by Dr Alka Pande.

Ranjan Kaul reviews the ongoing group show of art books by 40 artists titled "Dark Matter" curated by Nadezja Voinova at the ONKAF gallery.

Interview of artist Niyamat Mehta, who specializes in sculpture, drawing from the interplay between consumerism and artistic expression.

Aakshat Sinha previews "Set Adrift on Memory Bliss", curated by Myna Mukherjee, featuring seven artists in encounter with artist SK Sahni.

Suman Chandra, an artist who finds the materiality, dangers and risks of coal mines an inspiration, responds to the artamour questionnaire.

Elena Rubinova writes from Moscow about a new private museum dedicated to the Soviet nonconformist art movement that opened recently.

Ranjan Kaul reviews the parallel shows, "Dhalav" by Niroj Satpathy and "The Place called the Body" by Aditya Puthur at Anant Art, Noida.

Satarupa Bhattacharya reviews "One Story is Not Enough", an interdisciplinary show, presented by Engendered and curated by Myna Mukherjee.

Ranjan Kaul reviews the ongoing group exhibition, "Circle of Life" at Art Centrix Space, New Delhi, curated by Alnoor Mitha.

Georgina Maddox exchanges ideas with Megha Joshi on her solo show "Rites of Passage", which brings us to the edge of faith and image-making.

Georgina Maddox reviews the group show by women artists at Meghalayan Age that explores the nuances of birth, motherhood and matriliny.

Georgina Maddox reviews the show, "Journeys of Clay and Fire" at the British Council, New Delhi, that looks at ceramic art in newer ways,

Ranjan Kaul reviews an enthralling exhibition titled "Women and Deities" held in the Bihar Museum on the occasion of its Foundation Day.

Elena Rubinova speaks with Russian philanthropist and collector, Sarah Vinitz, against the backdrop of a new art project by Elena Kovylina.

Review of "Riyaz", an eclectic and inclusive show curated by Ina Puri and hosted by Iram Art Gallery, at Bikaner House, New Delhi.

Georgina Maddox reviews the ongoing group exhibition, "Molecules", at Gallery 1000A, New Delhi, curated by Sweety Joshi featuring 5 artists.

Ranjan Kaul reviews Somnath Hore's ongoing retrospective exhibition, "Birth of a White Rose", at Kiran Nadar Museum of Art, Saket, New Delhi

Elena Rubinova writes of internal and external censorship, as Russophobia, sanctions and a "cancel culture" sweep the Russian art scene.

Ranjan Kaul reviews the ongoing group show "An Unlocated Window of Myself" curated by Premjish Achari at Gallery Dotwalk, Gurugram.

Shujaat Mirza, in this second part of his review of 'The Art of India 2022', discusses the works of contemporary artists in the exhibition.