Amit Slathia is a distinguished artist whose conceptual clarity and artistic endeavours are marked by compassion and resilience. His mastery across various art forms, including drawing, painting, digital art, and installations, reveals a deep-seated exploration of nature, shifting demographics, and the psychology of human experiences. His works resonate with a keen observation of social dynamics and a genuine empathy for diverse perspectives. Driven by curiosity and empathy, his innovative practice adopts an interdisciplinary approach that synthesizes insights from art, literature, technology and the social sciences, thus creating a rich tapestry for diverse modes of expression.
Slathia has participated in several prestigious exhibitions, such as those held at India Art Fair as well as the All India Fine Arts & Craft Society (AIFACS), where he has been honoured in both painting and sculpture categories. He has a remarkable record of having participated nine times in the Lalit Kala National Exhibition for both sculpture and painting. His notable group exhibition participations include "CELEBRATION 2011" at Kumar Gallery, CIMA Art Gallery in Kolkata, 'North to East' at the Birla Academy of Art and Culture, and many more. His works are part of esteemed collections in India and abroad. Throughout his career, Slathia has garnered numerous accolades, including national awards from AIFACS and scholarships from the Lalit Kala Akademi and MHRD, as well as junior fellowships from MHRD.
1. When did you decide and what prompted you to become an artist? Please give a brief account of the challenges and struggles you faced in your journey as an artist?YAny role models?
AS: From an early age, I was deeply inspired by my primary school art and craft teacher, Ms. Shivdey Ma’am (Sainik School, Nagrota), and my grandfather Baba ji). They were instrumental in nurturing my talent for drawing and crafting, despite the prevailing family emphasis on academic achievement. Their encouragement was pivotal, sparking a passion that has grown into a lifelong pursuit.
Art has always been a source of immense joy and magic for me. It is not merely an escape into a different world but a pathway to understanding the actual world and realizing my own identity through life experiences. The process of creating art serves as a profound expression of the self, alleviating physical and mental stress. Through the materialization of ideas, utilizing all senses, I build my own perception and conviction, ultimately reflecting a complete expression of who I am in relation to my time and space.
Coming from a farmer's family, the journey to becoming an artist has been fraught with challenges. These hurdles, while sometimes consuming valuable time and potential, have become an integral part of my life's journey. Despite these obstacles, my strong creative drive remains undeterred. I am aware that many talented individuals in our country face similar challenges, and I remain hopeful for a future where such struggles are alleviated.
2. What have been your inspiration and motivation for choosing art as a profession?
AS: As an artist deeply immersed in my craft, I'm finely tuned to the crossroads of time, space, and spirituality. I draw profound inspiration from the spiritual legacy of the Indian subcontinent. My artistic odyssey commenced amidst the serene vistas of Malhori Jageer, transitioning later to the bustling metropolis, each moulding my creative expression uniquely. This metamorphosis cultivated a sense of urgency within me, leading me to intentionally infuse an aura of detachment into my technique, enabling me to encapsulate the ever-shifting emotions and surroundings I encountered. In my creative practice, spirituality and science stand as bedrock principles, melding the pursuit of self-discovery and a holistic comprehension of our world. I ardently believe that wisdom should spring from tangible life experiences, bathed in compassion for fellow beings. My creative process orbits around introspection and exploration of various objects and environments, all with the ultimate aim of crafting art that awakens profound emotions and fosters meaningful connections with both self and the world that surrounds us.
I see art as a mirror of human curiosity, empathy, and openness, shaped by my life's experiences and the wisdom gained on a transformative journey.
3. What art project(s) are you working on currently? What is your inspiration or motivation for this?
AS: My art practice is an integral part of my holistic being, reflecting the moods I experience and the challenges I face. Each moment adds to the larger pool of my experiences and informs my art practice, offering various insights and allowing me to view the world as a 'Drishta'—an observer who is both attached and detached, conscious, and in a timeless state of mind. This state of being transcends mere purpose, embracing pure life and the larger purpose of existence.
Currently, I am deeply inspired by pressing environmental issues and the impact of human greed on nature. My work seeks to capture the silent cries of the natural world, reflecting on the shadows cast by human actions. This theme is central to my latest projects, where I strive to give voice to nature's plight and provoke deeper contemplation about our role in preserving the shared planet.
Clock Tower, Acrylic on canvas, 48 inches x 60 inches, 2015
In my work, I explore the intersection of our environment, spirituality and the element of time using art to convey complex concepts in a visually striking way. By blending elements of both fields, I aim to inspire viewers to think deeply about their place in the world and their role in shaping the future. My goal is to create art that is both beautiful and thought-provoking, inviting viewers to contemplate the mysteries of the universe and their own spiritual journey. Through my work, I hope to inspire a greater sense of wonder, curiosity, and connection to the world around us.
New Machismo, Acrylic on canvas, 120 cm x 150 cm, 2019
New Machismo draws inspiration from the rich tradition of miniature paintings, where hunting scenes were celebrated as a symbol of royal prestige. However, the historical pursuit of such scenes often led to environmental damage. In response, this artwork reimagines masculinity, urging us to take pride in safeguarding our environment by planting and nurturing trees. This concept is deeply rooted in both spiritual and scientific wisdom, recognizing the intricate web of life. By planting trees, we not only forge a profound connection with nature but also positively impact the environment and our mental well-being. Embracing the New Machismo philosophy empowers us with a different kind of strength and courage, paving the way for a more sustainable and equitable future for all.
Rethink Materiality, Acrylic on canvas, 40 inches x 60 inches, 2017
The elephant as a guide, reveals nature's interconnected stride, A plea to rethink our material greed, and halt destruction with thoughtful heed. Let's unite, shift priorities with care, for a world we can share and protect and repair.
My Rituals and Relations, Acrylic on canvas, 120 cm x 150 cm, 2015
Marriage is a momentous occasion that brings together the different facets of our being, culminating in a profound understanding of our physical, psychological, and mental states. It represents the fusion of reality, romance, fantasy, and the intricacies of human perception, all masterfully orchestrated by the tender grace of our compassionate hearts. It transcends the boundaries of mere responsibility, requiring us to continually work towards building and nurturing an unbreakable bond with our chosen partner. This journey of love and commitment opens the doors to a world of unfathomable emotions and experiences, granting us a unique opportunity to create an unparalleled connection that defies all limitations.
Kala Kauwa, Acrylic on canvas, 111 cms x 172 cms, 2019
In Kala Kauwa I seek to blend information, knowledge, and experience, nurturing a profound connection with the world that envelops us. I delve into the intricacies of our social and cultural tapestry, uncovering the symbolism within my creative choices. This journey leads me to navigate the known and unknown, traverse the realms of silence and sound, and dance along the boundaries between form and the formless. I remain observant to detect change without becoming overly involved, adhering to the path of balanced wisdom. I hold a steadfast belief that this intricate equilibrium is essential, as it prevents our existence and identity from appearing superficial and disconnected from the intricate tapestry of the world we inhabit.
Crossing Redelight II, Acrylic on canvas, 2019
A modern steed of speed and efficiency, the motorcycle carries the weight of our materialistic desires, ensnaring us in a cycle of endless consumption. Amidst this chaos, trays of eggs symbolize our delicate environment and society, while a hopeful hen sits to hatch new beginnings.
To embrace a more harmonious existence, we must shift our perspective, nurture humanistic values, and connect with the world around us. With reflection and reevaluation, we can break free and pursue a holistic approach. In doing so, we ensure a brighter future for all living beings, unburdened by the adverse effects of materialistic pursuits.
Displaced Placed Displaced, Acrylic on canvas, 48 inches x 60 inches, 2020
My artwork embodies the human struggle for survival in a world of chaos and conflict, where identity and belonging take a backseat to the basic instinct of living. The boat, poised upon the mountains, symbolizes the precarious journey of those seeking safety amidst the turbulence of existence. The sheep, a symbol of helplessness and innocence, represents the plight of marginalized communities that bear the brunt of such struggles.
Through my artwork, I aim to provoke a contemplative reflection on the human condition, where the search for meaning and belonging is in constant flux. It invites the viewer to connect with the profound questions that emerge from our shared experiences, and to cultivate empathy and compassion for those who struggle to survive in a world marked by turmoil.
Kalya Daman, Acrylic on canvas, 121 cm x 152 cm, 2019
As an artist, I approach my work with a deep understanding of the religious context of the story of Lord Krishna and Kalya Naga. By using this story as a metaphor, I highlight the spiritual connection between humans and nature, and emphasize the importance of respecting and preserving rivers. In my art, I add a personal touch by using the metaphor of bat and ball, portraying Lord Krishna diving into the Jamuna river to retrieve the ball. This symbolizes the need for individuals to dive deep into the heart of an issue to find real resolution, rather than staying on the surface. My ultimate goal is to inspire people to recognize the sacred value of rivers and to promote a sustainable future where these natural resources are protected and preserved for generations to come.
The Bridge, Acrylic on canvas, 120 cm x 150 cm, 2019
My painting is a meditation on the ever-changing nature of existence and our quest for meaning in a rapidly evolving world. Using powerful iconography, such as textured mountain peaks and a motorcycle carrying a mud house, I seek to capture the essence of our shifting perspective and the acceleration of time.
Through this artwork, I invite the viewer to embark on a journey of self-discovery, exploring the depths of their soul and finding their own unique path in life. By tapping into the universal human desire for a sense of belonging and purpose, I hope to evoke a deep emotional response and spark a dialogue about our place in the world. This painting is a spiritual experience that reminds us of the beauty and mystery of life and encourages us to embrace the journey with an open heart and mind.
Construction/Deconstruction, A1rylic on canvas, 120 cm x 150 cm, 2021
Through the interplay of destruction and construction, Hindu mythology teaches us that change is an inevitable and necessary part of life. My painting captures this idea through the use of powerful symbols - the unbalanced mountain and vulnerable mud house representing destruction, while the soaring birds and innovative technology symbolize construction and rebirth. It reflects the cyclical nature of existence and a reminder to embrace the constant transformation that surrounds us.
Sinister Silence, A1rylic on canvas, 91 cm x 121 cm, 2020
My painting explores humanity's relationship with the natural world. The pandemic has heightened our fear of mortality, but the crocodile on the mud house symbolizes the resilience of nature. Earthy tones and textured brush strokes evoke a sense of timelessness and connection to the earth. The painting invites us to reflect on our place in the universe and embrace the power and beauty of nature. It serves as a call to action, urging us to cultivate a more respectful and harmonious relationship with the environment.
Gleaners in the Zone of Conflict, A1rylic on canvas, 91 cm x 121 cm, 2020
My artwork depicts the aftermath of cold war in my region, where people scavenge bomb shells to survive. Realism conveys the emotional and physical toll caused by greed. The Gleaner represents human strength in adversity. The painting calls for peace, reconciliation, and recognition of our shared humanity, inviting collective healing.
4. Contemporary art has become very diverse and multidisciplinary in the last few decades. Do you welcome this trend? Is this trend part of your art practice?
AS: Art has always been multidisciplinary, evolving from the early days of cave paintings, where the first drawing tools were created, through continuous refinement and the addition of new elements. Today, with advanced technologies like AI and various content generation tools, we see a continuation of this evolution. However, it's important to remember that tools and technology are not a substitute for the human element in art. Art is imbued with human emotions, feelings, and attachments, which are integral to our psychology, existence, and identity.
Mechanical content generation represents a fusion of the larger human collective consciousness, yet it remains a creation by and for humans. The complexity of human beings extends beyond what material success can capture; it is only the initial step towards a deeper understanding of human psychology and existence. We are at the dawn of the age of human discovery.
I welcome the trend towards diversity and multidisciplinary approaches in contemporary art. These advancements and technologies are an integral part of my artistic practice. I am not shy about experimenting with new materials, technologies, and concepts. My practice is a constant search for insight, ready to articulate my findings in the most sincere and meaningful manner.
5. Does art have a social purpose or is it more about self-expression?
AS: I believe that art's social purpose and self-expression are intrinsically linked and should not be seen as separate entities. True artistic expression cannot emerge without a deep awareness of the social context. Art does not exist in a vacuum; it is profoundly influenced by the world around us.
As an artist, as mentioned earlier, my role is akin to that of a Drishta—an observer who attains clarity and consciousness, allowing these insights to guide the creative process. This awareness informs my artistic decisions, enabling my work to resonate on both the personal and social levels. Just as dance is an expression of both feeling and clarity, art requires a similar synthesis. One cannot create with authenticity without a profound understanding of both the self and the societal environment. This integration of self-expression and social awareness is central to my art practice, guiding my work towards a meaningful and impactful expression.
6. Where do you create your art? What is your process?
AS: My art creation process begins with keen observation, which unfolds in a non-linear manner. Whatever captures my mind undergoes thorough rational reassessment, often lingering in my thoughts through many days and sleepless nights until it becomes an undeniable urge to create. This continuous state of being alive and observant is fundamental to my form-finding process. Insights frequently emerge in the state of dreams, resolving many of my questions.
The act of creating art is an integral part of my life. It involves continuous scribbling, observing, and playful manipulation of ideas. This process is not confined to a specific time or place; it is a constant flow of creativity and reflection that permeates every aspect of my existence. My studio is a sanctuary where these observations and ideas come to life, a space where the boundaries between life and art blur, allowing me to explore and express my unique vision with clarity and depth.
7. Tell us about any other interest you may have besides your art practice. Does it get reflected in your art?
AS: Beyond my art practice, I find solace and purpose in engaging with the community and addressing social issues. Visiting slums and contributing in small ways offers me spiritual solace and a realistic perspective on life. Recently, my involvement in a deforestation issue in Jammu led to a successful resolution after two years of effort. Discussing diverse life perspectives with the younger generation in the visual art department enriches my understanding more than teaching. Despite a hectic schedule, I cherish travelling. At my core, I feel deeply connected to my surroundings, viewing the world as a small garden where, as artists, we are the gardeners nurturing it through our capacities, whether physically or through our art.
(All images are courtesy of the artist, Amit Slathia.)
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